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She uncovers her eyes, and glances for a bare instant at Rodney. Then once more the heavily-fringed lids close upon the dark-blue eyes, as if to hide the anguish in them, and in a smothered voice she says, with clenched teeth and a face like marble, "Yes, you may kiss me,—if you will.",

From the high hill on which they stand, steep rocks descend until they touch the water's edge, which lies sleeping beneath them, lulled into slumber by the tranquil moon as she comes forth "from the slow opening curtains of the clouds.",

When the people heard this they said to one another, "Ah, it is a man-wolf who has done all this. We must catch him." So they took down to the piskun1 pemmican and nice back fat and placed it there, and many of them hid close by. After dark the wolves came, as was their custom, and when the man-wolf saw the good food, he ran to it and began to eat. Then the people rushed upon him from every side and caught him with ropes, and tied him and took him to a lodge, and when they had brought him inside to the light of the fire, at once they knew who it was. They said, "Why, this is the man who was lost.",

But travelling over the prairie was a wolf that climbed up on the butte and came to the hole and, looking in, saw the man and pitied him.

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"What's the matter with them?" says Mona, with some pardonable impatience.,

"That is absurd," says Rodney; "and your own words refute you. That man called Moore cared for you, and very great impertinence it was on his part.",

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"Oh! can nothing be done?" asks Mona, turning to him eyes full of entreaty.